"I Got It Bad (and That Ain't Good)" is a jazz standard composed by Duke Ellington with lyrics by Paul Francis Webster, first introduced in 1941. The Oscar Peterson Trio recorded a celebrated instrumental version for their landmark 1963 album Night Train, produced by Norman Granz and recorded in Los Angeles in December 196213.
Personnel
- Oscar Peterson – piano
- Ray Brown – double bass
- Ed Thigpen – drums1
Interpretation and Style
Peterson’s version is notable for its slow tempo and deeply bluesy feel, setting it apart from many other renditions. The trio imbues the piece with a rich, expressive atmosphere, emphasizing the song’s melancholy and longing45. Peterson’s piano is both elegant and soulful, weaving extended melodic motifs and building tension before resolving with lyrical, fluttering phrases. The rhythm section of Brown and Thigpen provides a subtle, swinging foundation, allowing Peterson’s improvisation and touch to shine.
Album Context
Night Train is known for its focus on blues and Ellingtonia, with "I Got It Bad (and That Ain’t Good)" standing out as one of the album’s most emotive tracks. The trio’s performance is frequently praised for its sensitivity and the way it brings fresh life to a well-worn standard45.
Legacy
The Oscar Peterson Trio’s rendition of "I Got It Bad (and That Ain’t Good)" is widely regarded as a masterclass in jazz ballad interpretation. It showcases Peterson’s ability to blend technical brilliance with deep emotional expression, making it a highlight of his discography and a favorite among jazz enthusiasts54.
Key Facts Table
Aspect | Details |
---|---|
Composer/Lyricist | Duke Ellington / Paul Francis Webster |
Album | Night Train (1963) |
Personnel | Oscar Peterson (piano), Ray Brown (bass), Ed Thigpen (drums) |
Producer | Norman Granz |
Style | Slow, bluesy jazz ballad, instrumental |
Notable Features | Expressive piano, subtle trio interplay, emotional depth |
Legacy | Jazz standard, acclaimed performance, highlight of Night Train |
Summary
Oscar Peterson Trio’s "I Got It Bad (and That Ain’t Good)" from Night Train is a deeply felt, blues-infused instrumental that highlights the trio’s sensitivity and Peterson’s lyrical piano artistry. Their interpretation remains a definitive jazz reading of this Ellington classic45.